"The words sound wrong, somehow, like 'baking ices', 'polishing mud' or 'sliced lemonade'. This was the way Roger Fry started the text on Teaching Art. 'Art Teachers' seemed to sound also wrong, and yet, he vented, large amounts of money were being spent in 'breeding' the type. "What has been overlooked is the fact that Art cannot, properly speaking, be taught at all". The canons, the conventions, and historical facts could be taught, but "one cannot teach a thing which does not exist". The text argues against the possibility of teaching the intuitive powers of creation.

This text from the English art critic Roger Fry was published in 1917 in Burlington Magazine to publicize the exhibition at the Omega Workshops. Fry draws the equivalence of the child with the so-called 'primitive' and the loss of those qualities by the 'civilized' child once submitted to schooling practices.

Speach by Heinrich Wolgast at the German Teaching Congress 1903 in Chemnitz